From miscellany to homogeneity in concert programming
Identifieur interne : 000963 ( Main/Exploration ); précédent : 000962; suivant : 000964From miscellany to homogeneity in concert programming
Auteurs : William Weber [États-Unis]Source :
- Poetics [ 0304-422X ] ; 2001.
English descriptors
- Teeft :
- Benedict, Biggest problems, Canonic repertory, Classical music, Concert programs, Contemporary music, Different tastes, Donizetti, Eighteenth century, Elsevier science, Fundamental change, Genre, Great composers, Great deal, Great majority, Ignaz moscheles, Instrumental music, London symphony orchestra, Mendelssohn, Miscellaneous concert, Miscellany, More years, Morning concert, Moscheles, Mozart, Much variety, Music historians, Musical classics, Musical culture, Musical experience, Musical genres, Musical life, Nineteenth century, Opera number, Overture, Oxford university press, Philharmonic society, Popular music, Recent work, Royal college, Sentimental songs, Tradition view, Unaccompanied chorus, Weber, Whole nature.
Abstract
Abstract: One of the biggest problems in the study of classical music is the prejudice with which those brought up in the tradition view the mores of musical culture prior to around 1800. We have expectations about what we term ‘serious’ music that easily turns us against the manner by which music was presented and appreciated two hundred or more years ago. If we are to understand better what musical culture was all about back then, we have to begin questioning our own presuppositions and looking with a fresh eye at what people did in the pre-modern epoch. I would like to suggest some ways by which we might try that here today in regard to concert programs. In the process I will offer a pair of concepts by which to conceive of the main principles by which programs were formed then and now: Miscellany versus Homogeneity. The change from the one to the other around 1850 constituted a massive, fundamental change in the whole nature of musical experience.
Url:
DOI: 10.1016/S0304-422X(01)00031-6
Affiliations:
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Le document en format XML
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<front><div type="abstract" xml:lang="en">Abstract: One of the biggest problems in the study of classical music is the prejudice with which those brought up in the tradition view the mores of musical culture prior to around 1800. We have expectations about what we term ‘serious’ music that easily turns us against the manner by which music was presented and appreciated two hundred or more years ago. If we are to understand better what musical culture was all about back then, we have to begin questioning our own presuppositions and looking with a fresh eye at what people did in the pre-modern epoch. I would like to suggest some ways by which we might try that here today in regard to concert programs. In the process I will offer a pair of concepts by which to conceive of the main principles by which programs were formed then and now: Miscellany versus Homogeneity. The change from the one to the other around 1850 constituted a massive, fundamental change in the whole nature of musical experience.</div>
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